I was approached recently by contemporary jeweller and emerging curator, Jo Wilmot, to be in a group exhibition with the theme of climate change. Given how close the theme is to both my heart and work, I naturally jumped at the chance. Together with jo, contemporary jeweller, Leonie Westbrook and contemporary ceramicist, Lesa Farrant, we began working on a collection to be displayed at the intimate gallery space at Gray Street Workshop.
After much contemplation, we agreed on a name for the show, Solastalgia, a term developed by Australian philosopher Glenn Albrecht. “The word describes a form of psychic or existential distress caused by environmental change, such as mining or climate change... people exposed to environmental change experienced negative affects that are exacerbated by a sense of powerlessness or lack of control as the change occurs” 1 The term described perfectly the feeling of unease we all had in response to climate change, giving us a language to describe the distress we face given our current environmental situation.
Though we all started with a similar concept, it was inspiring to see how each artist approached the theme; applying their own skill, personal experience and passion for the issue.
Leonie Westbrook worked with a variety of materials, some discarded and others that she struggled to give away. During her research, Leonie discovered a rather concerning trend of people selling faux beach treasure which she was appalled by considering the abundance of rubbish already circulating our oceans. Her work for our show experimented with how domestic items could be reused and transformed. The results were subtle and beautiful.
Lesa Farrant spent her days combing her local beaches for plastic treasure, organic forms, noxious weeds and other items which had been introduced to the coastline. She then slip cast her bounty in delicate white porcelain, transforming what was once a pile of rubbish into stunning hybrid compositions.
Jo Wilmot collected impressions of sponges and seaweeds such as bull kelp, casting them in dark ‘oil slick black’ porcelain. Jo has been deeply troubled by the state of our oceans due to rising sea temperatures and used black to symbolise the resulted deadening of such beautiful lifeforms. She then set them within handmade brass ‘exhaust pipes.’ The pieces are magnificent and thought provoking.
I too spent time combing my local beaches and further explored the idea of how to display the deadly jewel-like plastics which are circulating our oceans. I used this opportunity to increase the scale of my pieces resulting in a tangle of steel seaweed and plastic which cast the most beautiful of shadows.
The show opened at Gray Street Workshop, Adelaide, on Thursday the 30th of March, 2017, and closes on the 7th of May, 2017
.Follow the Solastalgia girls on Instagram to see works in progress and our future plans for the show @solastalgiaexhibition
1 https://www.nla.gov.au/content/solastalgia-extreme-weather-and-the-writer-s-role-in-a-climate-changed (accessed 25/04/17)