Good news, Adelaide friends! As of this week, I will be running one on one jewellery classes from my studio in Richmond. I will teach you a range of different skills such as how to design, beginner to advanced soldering, filing, sanding, riveting and basic stone setting just to name a few. Whether you are an absolute beginner or an experienced maker wanting to brush up on your skills, contact me to arrange your first class.
One of the things I love most about working in a studio collective is meeting like-minded creatives who appreciate the handmade just as much as I do. I am really lucky to spend my days with such a talented group of artists and am so grateful to be able to exchange experiences, skills and advice with them.
One of those artists is painter, Ellie Kammer. As I have mentioned in previous posts, Ellie uses her experience of having endometriosis to inspire her paintings and uses them to raise awareness of this painful medical issue faced by many women. I have been a fan of Ellie and her beautiful work ever since meeting her, so when she had a challenge for me, to help her design and make a custom piece of jewellery, I happily accepted.
Ellie was looking for a contemporary variation of a traditional men’s silver cygnet ring in a geometric style for her partner’s Birthday and was keen to help make the piece. To add a personal touch to the gift, she wanted the ring face to feature three fine lines which would act as a subtle representation of their family: herself, her partner, and her stepson.
To leave a bit more room to experiment with the shape of the ring, I decided that we would work in wax and cast the piece. I first taught Ellie how to cut the wax blank which would form the initial shape for the ring. She then removed the excess wax from the centre of the blank, ensuring that it was the right size for her partner’s finger. It was Ellie’s first time making jewellery but she got the hang of it quickly.
From there I took over to work with the overall shape of the ring. I strategically removed wax from different areas to form an angular aesthetic. Once the carving was complete, I made the piece lovely and smooth, then sent it off for casting.
After the carved wax piece was cast in silver, I filed back a fine layer from the entire ring to remove any impurities and imperfections from the casting process. I then sanded the ring giving it an even finish.
Now it was time for the most important detail: the line work. I marked the three lines and sawed each one very carefully. When creating such a precise, geometric shape, any wrong move with the saw frame would almost certainly ruin the design, a fate which I wanted to avoid. Luckily, I managed to saw some good lines and moved onto the final clean-up and polish of the ring. To give the piece a more masculine and slightly grungy feel, I blackened the ring, then sanded it back leaving the patina in the relief areas only.
It was a delight to work with Ellie in creating this beautiful piece. We managed to make her deadline with time to spare and her partner was stoked to receive such a thoughtful gift.
Feeling inspired? To have your own custom piece of jewellery made, contact me to make an appointment.