South Australian Living Artists Festival 2017

August is a very exciting month in South Australia as creatives from all around the state come together to celebrate the South Australian Living Artist Festival. This year is the 20th anniversary of the event and its a big one with 660 free exhibitions showcasing the works of over 6000 local artists. 1  Every possible space is used to exhibit during SALA. From shop windows, cafes and galleries to wineries, aged care facilities and even a news agency just to name a few. The vibrant and accessible festival bridges the gap between the talented artists of South Australia and the general public which is great to see.

This year, I will be exhibiting my work in group shows at two of those venues: Zu Design, Adelaide and Naomi Schwartz Jewellery Design Gallery at Henley Beach.

Blackened and brushed silver Wallpaper Ring which is about to be displayed at Zu Design. Photograph courtesy of Perth Product Photography.

Blackened and brushed silver Wallpaper Ring which is about to be displayed at Zu Design. Photograph courtesy of Perth Product Photography.

For D'Angle It at Zu Design I will be displaying my Wallpaper range featuring hand cut silver lacework which I rivet to create wearable forms. The designs are inspired by the much loved gaudy wallpaper of my great grandmother's beach house in Inverloch, Victoria. When creating the designs for these pieces, I wanted to hint at the original pattern but remove the intense colours to symbolise the way in which memories fade and change over time.

Silver Wallpaper Bangle. Each of these pieces are meticulously hand cut, filed, sanded and riveted. No two are alike. Photograph courtesy of Perth Product Photography.

Silver Wallpaper Bangle. Each of these pieces are meticulously hand cut, filed, sanded and riveted. No two are alike. Photograph courtesy of Perth Product Photography.

For Naomi Schwartz's exhibition, The Ring Show, I will display my new range of engagement rings. The collection is a development of my Interlace range, however, I have swapped my usual go-to metal, silver, for 14ct gold and recycled diamonds. The rings look great individually or as a stack and can be purchased in either white or yellow gold. It will be great to see how the public responds to my new range.

New 14ct gold Interlace Engagement Rings which are off to Naomi Schwartz's gallery for The Ring Show opening next week.  

New 14ct gold Interlace Engagement Rings which are off to Naomi Schwartz's gallery for The Ring Show opening next week.  

If you are in Adelaide over the next month, head over to Zu Design from Friday the 4th of August or to Naomi Schwartz Jewellery Design Gallery from Wednesday the 9th of August to see the wonderful creativity  that South Australian jewellers have to offer.

 

1 https://www.salafestival.com/news/16/ (accessed 01/07/17)

Fixing Fast Fashion - A Special Order Silver Necklace

Given the increasing popularity of ‘Fast Fashion,’ a phenomenon where trends are in one day and out (or thrown out) the next, it is no surprise that I regularly have customers coming to me with jewellery that they love but have not lasted the test of time. To keep up with fashion at such a speed, items are made quickly and cheaply to last a season rather than a lifetime. Not only is the throw away mentality terrible for the environment, but the premature death of a beloved piece of jewellery is often upsetting for the client. 


I’ve heard that some jewellers prefer not to go near costume jewellery repairs and remakes as they can often be tedious or not to their particular aesthetic, however, I really enjoy working with these pieces. Not only do I see it as a great opportunity to learn, but I really like the idea that I can either repair something that would otherwise be thrown out or remake the piece so that it will last a lifetime. It is more sustainable approach to fashion and encourages my customers to truly treasure their piece of jewellery.


One particular client came to me with her beloved necklace which was so well worn that the plating was patchy and the chains had fallen off so many times that there were layers of glue from desperate attempts to save the its life. My delightful client had two options. A: Discard the necklace she wore so much it practically became part of her body, or B: Find a good jeweller to remake the piece in silver. Luckily for me, she chose B and so I got started.


I began the process by taking direct silicon moulds from the original necklace as I wanted the silver version to be as closed to the original design as possible. I then melted and poured a special type of jeweller’s casting wax into the mould. The wax cast would form the shape for the final metal discs so I had to be really careful to get all of the bubbles out of the wax before it hardened to prevent any holes in my metal.

My highly sophisticated mould making setup. Aka - kitchen stove and patty pans.

Once the waxes had hardened, I filed the discs back to the exact size and shape I needed and then sent them off to be cast.

The freshly carved wax models. 

Freshly cast silver disks. During the casting process, fine plaster is poured around the wax moulds. Once the plaster sets, it is put into a kiln, melting the wax away and leaving a perfectly formed cavity for molten metal to flow into.

The discs on the original necklace had no backing plate to cover and protect the unsightly solder joins which is something I wanted to improve on in the remake. I used my computer to design a backing plate that would protect and help position the points where the chains were attached. I also made sure that the plates included holes to rivet everything together. These designs were then printed in wax and also cast in silver.  

Preparing the disk shapes with their rivets before cleaning to make sure everything fits snugly.

The original piece had a very specific size and patterned chain which was integral to the design. I wanted to use a high quality chain that would last which was quite a challenge to find. I ended up with a beautifully made Italian chain and soldered it onto the backing plate.

Inner workings of the necklace complete with some luxurious flat sterling silver snake chain.

After casting, there is a lot of clean up to be done to give the pieces a fine finish. I filed, sanded and polished the pieces to a near mirror finish, just like the original. 

The necklace is all ready to be riveted. I decided to give the backing plates a brushed finish for a bit of contrast against the shiny chain and feature disks.

I then riveted the piece together by hand and gave it a final touch up polish.

All riveted together!

And I'm finally done. The original necklace on the left and the new one on the right. I know which one my favorite is!

My lovely customer was very happy with her new and improved necklace and hopes that she will one day hand it down to her daughter.

One very happy customer!